Five feature-length action adventures based on the Marvel comic.

In 'X-Men' (2000), mutants Professor Charles Xavier (Patrick Stewart) and Magneto (Ian McKellen) are former friends, but look set to become mortal enemies when fascist US senator Robert Frank Kelly calls for the registration of all humans with abnormal powers. While telepath Xavier, who runs an altruistic academy for superhuman 'X-Men', wishes to enlighten non-mutants and break down the prejudices which divide them, Magneto believes that the only solution is for the mutants to take over. Wolverine (Hugh Jackman) - an aggressive loner with an admantium skeleton and the ability to heal his body of any wound - and teenager Rogue (Anna Paquin), who can absorb the life force of others simply by touching them, are selected by Xavier to join his academy, but it isn't long before Magneto's followers are attempting to capture them so that they can assist in his plan for world domination.

In the sequel, 'X-Men 2' (2003), Xavier, Wolverine and the X-Men find themselves in the firing line after a failed assassination attempt on the president points the finger at the school. It was in fact the mysterious teleporter Nightwalker (Alan Cumming) who ordered it, and, in an attempt to clear their names, the X-Men are led into a trap set by the evil William Stryker (Brian Cox), a mysterious scientist apparently working for the government. As it soon becomes evident that Stryker's agenda is to destroy all mutants, the X-Men need to call in the help of many of their old friends and foes, including Magneto, if they are to stop him.

In the third film, 'X-Men: The Last Stand' (2006), the mutants are given the option of giving up their powers and becoming human after a private laboratory supported by the government finds a way to use the DNA of a powerful boy to correct the mutants. However, Magneto opposes and decides to join a force to fight against the government and kill the mutant boy. Meanwhile, Jean Grey (Famke Janssen) resurrects, uncontrolled by Xavier, and with the personality of the powerful Dark Phoenix. She destroys Cyclops (James Marsden) and Xavier and allies herself to the evil forces of Magneto, making them almost invincible.

The fourth film in the franchise, 'X-Men: Origins - Wolverine' (2009) is a prequel to the other three films. Hugh Jackman reprises his role as Wolverine, who, some 20 years before the action of the original movie, is seeking revenge on his half-brother Victor Creed (Liev Schreiber) for the death of his girlfriend, and eventually signs up to the ominous Weapon X programme.

Finally, 'X-Men: First Class' (2011) charts the beginning of the saga, following Professor X (James McAvoy) and Magneto (Michael Fassbender) through their formative years in the 1960s as they come to terms with their newfound superpowers. Initially close friends who work together to fight against evil, the two men are driven apart by a conflict of opinion that ultimately leads to the eternal war between Magneto's Brotherhood and Professor X's X-Men.

Pat Solatano has lost everything -- his house, his job, and his wife. He now finds himself living back with his mother and father after spending eight months is a state institution on a plea bargain.

Pat is determined to rebuild his life, remain positive and reunite with his wife, despite the challenging circumstances of their separation. All Pat's parents want is for him to get back on his feet - and to share their family's obsession with the Philadelphia Eagles football team. But when Pat meets Tiffany, a mysterious girl with problems of her own, things get complicated.

Tiffany offers to help Pat reconnect with his wife, but only if he'll do something very important for her in return. As their deal plays out, an unexpected bond begins to form between them, and silver linings appear in both of their lives.

(2013 Academy Award winner for: Best Actress. Also nominated for: Best Picture; Best Director; Best Actor; Best Supporting Actor; Best Supporting Actress; Best Adapted Screenplay and Best Editing)

Superhero action prequel to the first three 'X-Men' movies. The film charts the beginning of the saga, following Professor X (James McAvoy) and Magneto (Michael Fassbender) through their formative years in the 1960s as they come to terms with their newfound superpowers. Initially close friends who work together to fight against evil, the two men are driven apart by a conflict of opinion that ultimately leads to the eternal war between Magneto's Brotherhood and Professor X's X-Men. Kevin Bacon, January Jones and Rose Byrne co-star.

Double bill of sci-fi action films based on the first two novels of Suzanne Collins' trilogy. In 'The Hunger Games' (2012) Jennifer Lawrence stars as 16-year-old Katniss Everdeen, a citizen of the totalitarian post-apocalyptic country of Panem, formerly the United States. Every year, the all-powerful ruling agency known as the Capitol selects one boy and one girl from each of Panem's 12 impoverished rival districts to fight to the death on live national television in a contest known as 'The Hunger Games', in which the winner is given food to feed their entire district for a year. When her younger sister Primrose (Willow Shields) is selected as a contestant, Katniss steps up to take her place. Under the tutelage of inebriated former champion Haymitch Abernathy (Woody Harrelson), Katniss goes into training for the fight of her life. In 'The Hunger Games: Catching Fire' (2013), fresh from her triumph in the 74th Annual Hunger Games, Katniss, along with fellow winner Peeta Mellark (Josh Hutcherson), returns home to District 12 for some much-needed rest. But soon after, while on a 'Victory Tour' of the other districts, she becomes aware of growing dissent to the Capitol's rule, and realises that rebellion is in the air. As Panem prepares itself for the third 'Quarter Quell' (75th Hunger Games), autocratic ruler President Coriolanus Snow (Donald Sutherland), still smarting from the Capitol's humiliation in the last games, stacks the deck to ensure that the upcoming tournament will wipe out any resistance from the districts once and for all.

Jennifer Lawrence reprises her role as Katniss Everdeen in the second instalment of the sci-fi adventure trilogy based on the novel by Suzanne Collins. Fresh from her triumph in the 74th Annual Hunger Games, Katniss, along with fellow winner Peeta Mellark (Josh Hutcherson), returns home to District 12 for some much needed rest. But soon after, while on a 'Victory Tour' of the other districts, she becomes aware of growing dissent to the Capitol's rule, and realises that rebellion is in the air. As Panem prepares itself for the third 'Quarter Quell' (75th Hunger Games), autocratic ruler President Coriolanus Snow (Donald Sutherland), still smarting from the Capitol's humiliation in the last games, stacks the deck to ensure that the upcoming tournament will wipe out any resistance from the districts once and for all.

Gary Ross directs this sci-fi action film based on the best-selling novel by Suzanne Collins. Jennifer Lawrence stars as 16-year-old Katniss Everdeen, a citizen of the totalitarian post-apocalyptic country of Panem, formerly the United States. Every year, the all-powerful ruling agency known as the Capitol selects one boy and one girl from each of Panem's 12 impoverished rival districts to fight to the death on live national television in a contest known as 'The Hunger Games', in which the winner is given food to feed their entire district for a year. When her younger sister Primrose (Willow Shields) is selected as a contestant, Katniss steps up to take her place in the match. Under the tutelage of inebriated former champion Haymitch Abernathy (Woody Harrelson), Katniss goes into training for the fight of her life.

Drama based on the teenage years of writer and director Lori Petty. Agnes (Jennifer Lawrence) is the oldest of three daughters who finds herself caring for her younger siblings when her single mother (Selma Blair) turns to prostitution, drugs and alcohol after meeting a pimp named Duval (Bokeem Woodbine), who seems to have a fondness for Agnes. With their house overrun by gamblers, criminals and other seedy characters the girls struggle to lead a normal life. Cammie (Chloë Grace Moretz) escapes the chaos of the house only to sit in bars and Bee (Sophi Bairley) wants nothing more than to run away and be adopted, while Agnes tries to earn enough money to support her family and manage the expectations of being a star basketball player.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

Superhero action prequel to the first three 'X-Men' movies. The film charts the beginning of the saga, following Professor X (James McAvoy) and Magneto (Michael Fassbender) through their formative years in the 1960s as they come to terms with their newfound superpowers. Initially close friends who work together to fight against evil, the two men are driven apart by a conflict of opinion that ultimately leads to the eternal war between Magneto's Brotherhood and Professor X's X-Men. Kevin Bacon, January Jones and Rose Byrne co-star.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

Jennifer Lawrence stars in this biographical drama about Joy Mangano, the inventor of the Miracle Mop. Single mother of three Joy Mangano (Lawrence) has always dreamed of a better life for her family, but with her father (Robert De Niro)'s constant belittling of her skills and her mother (Isabella Rossellini)'s insistence on her remaining a mother and nothing more, Joy's determination to make something of herself takes over and she sets about starting up her own business to prove her parents wrong. When an executive (Bradley Cooper) of the Home Shopping Network shows an interest in her idea for a self-wringing mop, Joy's life takes a dramatic turn as she finds her identity changing from mother to inventor and entrepreneur.

Award-winning crime drama directed by David O. Russell and starring Christian Bale and Bradley Cooper. Based on the Abscam sting operation of the late 1970s and early 1980s, the story follows FBI agent Richie DiMaso (Cooper) as he blackmails conman Irving Rosenfeld (Bale) and his lover Sydney Prosser (Amy Adams) into helping him with a case after a successful investigation into the pair's own foreign banking scam. Although DiMaso's sights are initially set on New Jersey Mayor Carmine Polito (Jeremy Renner), the investigation is broadened to include influential members of Congress who are suspected of taking bribes. The supporting cast includes Jennifer Lawrence as Irving's unpredictable wife Rosalyn, Louis C.K. as DiMaso's superior at the FBI and Robert De Niro as ex-mafia hitman Victor Telleggio who has now turned to the casino business as a means of making money. The film was nominated for ten Academy Awards, including Best Picture, Best Actor (Bale), Best Actress (Adams), Best Supporting Actor (Cooper), Best Supporting Actress (Lawrence) and Best Director (Russell), and also won three Golden Globes and three BAFTAs.

Jennifer Lawrence reprises her role as Katniss Everdeen in the third instalment of the sci-fi film series based on the novels by Suzanne Collins. In the aftermath of the 75th Hunger Games, Katniss finds herself in the underground District 13, struggling to adjust to her new life and role as the 'Mockingjay' in the rebellion against the Capitol and tyrannical ruler President Snow (Donald Sutherland). Meanwhile, her friend and fellow Games victor Peeta Mellark (Josh Hutcherson) is in the hands of the Capitol, where he is tortured and brainwashed. Katniss soon realises that to save the ones she loves she will have to join the revolt, led by President Coin (Julianne Moore), and become a symbol of hope for the rebels. With help from her friends and allies, including Gale Hawthorne (Liam Hemsworth), Haymitch Abernathy (Woody Harrelson), Effie Trinket (Elizabeth Banks) and Plutarch Heavensbee (Philip Seymour Hoffman), Katniss sets out to bring down the Capitol and President Snow once and for all.

Biopolitical Disaster employs a grounded analysis of the production and lived-experience of biopolitical life in order to illustrate how disaster production and response are intimately interconnected. The book is organized into four parts, each revealing how socio-environmental consequences of instrumentalist environmentalities produce disastrous settings and political experiences that are evident in our contemporary world. Beginning with "Commodifying crisis," the volume focuses on the inherent production of disaster that is bound to the crisis tendency of capitalism. The second part, "Governmentalities of disaster," addresses material and discursive questions of governance, the role of the state, as well as questions of democracy. This part explores the linkage between problematic environmental rationalities and policies. Third, the volume considers how and where the (de)valuation of life itself takes shape within the theme of "Affected bodies," and investigates the corporeal impacts of disastrous biopolitics. The final part, "Environmental aesthetics and resistance," fuses concepts from affect theory, feminist studies, post-positivism, and contemporary political theory to identify sites and practices of political resistance to biopower. Biopolitical Disaster will be of great interest to postgraduates, researchers, and academic scholars working in Political ecology; Geopolitics; Feminist critique; Intersectionality; Environmental politics; Science and technology studies; Disaster studies; Political theory; Indigenous studies; Aesthetics; and Resistance.

Romantic period drama starring Jennifer Lawrence and Bradley Cooper. Set in depression-era North Carolina the film follows timber magnate George Pemberton (Cooper) and his wife Serena (Lawrence) as their marriage and the life they have built together deteriorates. Following a devastating miscarriage and the news that she cannot have children, Serena and George struggle with the fact that she will not be able to provide him with an heir to his empire. As they seek a solution to their woes, Serena becomes increasingly jealous of the women involved with her husband as he tries to create the child he so desires that he envisages will one day take over his business. When Serena delves deeper into her husband's extramarital affairs she becomes increasingly suspicious that he may be harbouring more than just a single heir.

X-Men
Born into a world filled with prejudice are children who possess extraordinary and dangerous powers the result of unique genetic mutations. But under the tutelage of Professor Xavier, these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto, who believes humans and mutants can never co-exist, unveils his sinister plan for the future!

X-Men 2
Hatred and distrust brew between human and mutantkind. An unprovoked mutant attack on the President gives General William Stryker his long-awaited opportunity to wage all-out war against the mutants. A war that would leave only one race victorious. The X-Men must unite with their old adversary Magneto to prevent a devastating confrontation that could destroy everyone on the planet.

X-Men 3: The Last Stand
Experience the awesome power of the X-Men's epic, final battle as it is time to take a stand. After a controversial "cure" is discovered, mutants can choose to retain their superhuman abilities or give up their unique gifts and become "normal". When peaceful mutant leader Charles Xavier clashes with his militant counterpart, Magneto, the battle lines are drawn for the war to end all wars.

X-Men Origins: Wolverine
Leading up to the events of the first X-Men movie, X-Men Origins: Wolverine tells the story of Wolverine's epically violent and romantic past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe whose appearances in the film series have long been anticipated.

X-Men: First Class
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-Men.

The Wolverine
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before.

Biopolitical Disaster employs a grounded analysis of the production and lived-experience of biopolitical life in order to illustrate how disaster production and response are intimately interconnected. The book is organized into four parts, each revealing how socio-environmental consequences of instrumentalist environmentalities produce disastrous settings and political experiences that are evident in our contemporary world. Beginning with "Commodifying crisis," the volume focuses on the inherent production of disaster that is bound to the crisis tendency of capitalism. The second part, "Governmentalities of disaster," addresses material and discursive questions of governance, the role of the state, as well as questions of democracy. This part explores the linkage between problematic environmental rationalities and policies. Third, the volume considers how and where the (de)valuation of life itself takes shape within the theme of "Affected bodies," and investigates the corporeal impacts of disastrous biopolitics. The final part, "Environmental aesthetics and resistance," fuses concepts from affect theory, feminist studies, post-positivism, and contemporary political theory to identify sites and practices of political resistance to biopower. Biopolitical Disaster will be of great interest to postgraduates, researchers, and academic scholars working in Political ecology; Geopolitics; Feminist critique; Intersectionality; Environmental politics; Science and technology studies; Disaster studies; Political theory; Indigenous studies; Aesthetics; and Resistance.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

We live in a time where environmental pressures, social inequities and political derision are the backdrop of everyday life, and where resilience has become a routine prescription for coping with the conditions of modern existence. Drawing an analogy to Harvey Molotch's urban growth machine, this book explores different narratives of resilience and their policy and practice manifestations for cities, citizens and communities. It expands on the metaphor of the machine to show how resilience can be better understood as an assemblage. Bringing together authors from multiple disciplines and different parts of the world, the book unmasks the often invisible effects of resilience strategies by examining ways in which neoliberal mentalities are fed through the rhetoric of resilience practices, policies and development projects. The contributing essays provide provocative accounts of several areas of inquiry, including biopolitics and smart bodies, resilient cities and communities, urban planning and disaster management, justice and vulnerability, and resistance to resilience. Holding out hope for critical potentials in 'resilience,' The Resilience Machine proposes to move beyond mechanisms of adaptation and into imagining what resilient life could look like in a more just, equitable and democratic world. The Resilience Machine is a current, vital addition to resilience, community and urban scholarship.

We live in a time where environmental pressures, social inequities and political derision are the backdrop of everyday life, and where resilience has become a routine prescription for coping with the conditions of modern existence. Drawing an analogy to Harvey Molotch's urban growth machine, this book explores different narratives of resilience and their policy and practice manifestations for cities, citizens and communities. It expands on the metaphor of the machine to show how resilience can be better understood as an assemblage. Bringing together authors from multiple disciplines and different parts of the world, the book unmasks the often invisible effects of resilience strategies by examining ways in which neoliberal mentalities are fed through the rhetoric of resilience practices, policies and development projects. The contributing essays provide provocative accounts of several areas of inquiry, including biopolitics and smart bodies, resilient cities and communities, urban planning and disaster management, justice and vulnerability, and resistance to resilience. Holding out hope for critical potentials in 'resilience,' The Resilience Machine proposes to move beyond mechanisms of adaptation and into imagining what resilient life could look like in a more just, equitable and democratic world. The Resilience Machine is a current, vital addition to resilience, community and urban scholarship.

Superhero action prequel to the first three 'X-Men' movies. The film charts the beginning of the saga, following Professor X (James McAvoy) and Magneto (Michael Fassbender) through their formative years in the 1960s as they come to terms with their newfound superpowers. Initially close friends who work together to fight against evil, the two men are driven apart by a conflict of opinion that ultimately leads to the eternal war between Magneto's Brotherhood and Professor X's X-Men. Kevin Bacon, January Jones and Rose Byrne co-star.

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